Visual Effects in Mike Nichols\' The Graduate

The critically acclaimed, 1967 pick out, The Graduate, directed by Mike Nichols, tells the story of benjamin Braddock, who is coming of age in the 60s; decade of a informal revolution. As informants, we follow his bear in mind boggling path as he searches to find who he is as a man and what he wants to do with his life. In the bedim of his quest to find himself, he inadvertently becomes sexually relate with Mrs. Robinson, the mother of the girl whom he is dating and quickly move in love. and he becomes preoccupy with winning her love back. The filming in The Graduate is however astonishing and creative, so overmuch so that I tolerate watched this film about quartet different judgment of convictions. Mike Nichols sure Bob Surtees as his cinematographer of this 1967 American comedy drama. These devil combined their skills and expressed cinematography through depth, zoom, and specific edit sequences.\nCinematography is defined as, the act upon of capturing movin g images on film or a digital storage device (Barsam, Richard. scalawag 226). The Graduate  is one of the one(prenominal) examples of how a films story and meaning is told through the lens. The overall matter of the featured shots played a role presenting the story to the viewer, and to a fault understanding Bens personality and hazard issues. The cinematography style that Surtees customs is complicated, but yet spontaneously apprehensible at the same time. end-to-end the film we as the viewer are shown numerous wild-eyed encounters of Ben and Mrs. Robinson. During these encounters there is always a montage sequence that has music, which is defined as, an editing technique in which shots are juxtaposed in an often fast-paced air that compresses time and conveys a separate of information in a relatively short stop (Element Of Cinema). This shows us the viewer the passes of time throughout these romantic encounters that Ben and Mrs. Robinson have.\nThe use of depth in t he by-line scene explains the techni...