Musical Analysis of The Telecasters The Telecasters is a part of the Shakespearean rooms that dates stand from 1957, also known as Such sweetness Thunder. The Suite, a 12-part piece, frequently is a set of collages that each portrays, musically, maven of the known Shakespeare characters-like Othello (who appears in the title number), Cleopatra (in Half The Fun), Romeo and Juliet (in Star-crossed Lovers). The reason that I picked up for analysis, The Telecasters is not different from the other movements in this panorama: The Telecasters, represents the Three Witches (three trombones) and Iago (Harry Carney). While the programmatic premise may be tongue-in-cheek, its opponent of two dark colors demonstrates the principles of Ellingtonian counterpoint. Due to the scales of the paper, I am not going to discuss issues that concern the general style of Strayhorn and/or Ellington in an attempt to generalize aspects of compositional writing, since this type of psychoanalyze might probably need, as a back-up, more and pure(a) (in both quantitative and qualitative senses of these words) attempts of analysis and keep of the way of those stylistic aspects in the composer(s)other repertoire. In spite of that, however, whenever in that location are impinging tendencies that I feel should be mentioned, (and thither are instead a few of those) I leave try to create relevant connections, both to my previous knowledge of Ellington/ Strayhorn pieces, and not so surprisingly, to eastern modes that seem to be of greater influence in the music of Strayhorn and Ellington in the later eld of their careers. These connections are in the main intuitive, and nevertheless, I am presenting them here, with the consent that, the audial grasp of the music, as considerably as the logic I present regarding the organization of the openhanded structure in The Telecasters result become better and clearer in retrospect, If you want t o get a full essay, order it on our website:! OrderEssay.net
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